More Artists

David Haines and Joyce Hinterding
House 2 The Great Artesian Basin Pennsylvania 2003
Video work: House II, a deluge pours endlessly from a Pennsylvanian Neo-Gothic house.




Tacita Dean
The Green Ray
2001
16mm colour, mute,
2 minutes 30 secondsHer



Her work occupies a place between fact and fiction. It is pervaded by a sense of elusiveness, a search for something that exists as much in the imagination as anywhere else.


Lynn Davis
Iceberg III, Disko Bay, Greenland 2004




Ann Hamilton


At Hand


Myein


James Turrell
Ondoe Blue, 1967 (installation view at Albion, 2004)



James Turrell and his compatriot Robert Irwin were key figures in the "light and space school", a movement in which "perception" rather than the object is key to "experience" of the artwork, that is the "artwork" is a mere light conduit for experience.

list of references for the lyrical

Bartusiak, Marcia, 2000, Einstein’s Unfinished Symphony. Listening to the sounds of Space –Time. Joseph Henry Press, Washington, D.C.

Bergson, Henri, trans. Paul, N. M and Palmer, W.S, 1991, Matter and Memory, Zone Books, New York.

Brusatin, Manlio, trans. Hopcke, Robert H and Schwartz, Paul, 1991, A History of Colors, Shambhala Publications, Boston, Massachusetts.

Cadava, Eduardo, 1997, Words of Light, Princeton University Press, Princeton, New Jersey.

Cage, John, 1939, Silence, Lectures and Writings, Marion Boyars Redwood Books, Trowbridge, England.

Cassiman, Bart & Ramael, Greet & Vande Veire, Frank, eds., 1993, The Sublime Void (On the memory of the Imagination), Koninklijk Museum voor Schone Kunsten, Anterwp.

Crary, Johnathon, 1990, Techniques of the Observer. On Vision and Modernity in the Nineteenth Century, October Books MIT Press, Cambridge Massachusetts, London England.

Deleuze, Gilles, 1986, Cinema 1:The Movement Image, University of Minnesota Press, Minneapolis, USA.

Derrida, Jacques, trans. Pascale-Anne Brault and Michael Naas. 1993, Memoirs of the Blind. The Self-Portrait and Other Ruins, The University of Chicargo press, Chicargo and London.

Foster, Hal, 1993, Compulsive Beauty, October Books MIT Press, Cambridge Massachusetts, London England.
Herbert, Lynn M. & Ottmann, Klaus & Schjeldahl, Peter, (essays by), 2001, The Inward Eye. Transcendence in Contemporary Art, Exhibition catalogue, Contemporary Arts Museum, Houston.

Kaprow, Allan, ed. Jeff Kelly, 1993, Essays on the Blurring of Art and Life, University of California Press, Berkeley, Los Angeles and London.

Kant, Immanual, trans. Goldthwait, John T, 1960, Observations on the Feeling of the Beautiful and Sublime, University of California Press, Berkley and Los Angeles.

Lyotard, Jean–Francois, trans. Rottenberg, Elizabeth, 1994, Lessons on the Analytic of the Sublime, Stanford University Press, Stanford, California.

Merleau-Ponty, Maurice, ed. Claude Lefort, trans. Alphonso Lingis, 1968, The Visible and the Invisible, Northwestern University Press, Evanston, IL, USA.

Parry, Eugenia, 1997, Adam Fuss, Arena Editions, New Mexico.

Rinder, Lawerence ed., 1999, Search light: Consciousness at the Millenium, Thames & Hudson, London.

Stoichita, Victor I., 1997, trans. Glasheen, Anne-Marie, A Short History of the Shadow, Reaktion Books Ltd, London with the contribution of the Council of the University of Fribourg, Switzerland